Showing posts with label Elliott Erwitt. Show all posts
Showing posts with label Elliott Erwitt. Show all posts

21 May 2014

A Perfect Present

If anyone feels like buying me a present the above auction items would do nicely: Elliott Erwitt's very first press card, issued to him when he joined Magnum Photos and signed by himself and the agency's founder, Robert Capa, and one of Erwitt's personal cameras, a Leica MP no. 2922644, with his signature engraved on the back. About the press card Erwitt says, "It was a matter of pride to have a 'press card' signed by arguably the most important dashing photojournalist from the most prestigious photo agency of the day. Looking at the card now I have difficulty imagining that anyone would take the person pictured (me) seriously looking about 12 years old."

The items (Lot 77) are part of the "100 Years of Leica" auction taking place this Friday at WestLicht Photographica Auction in Vienna.The starting bid for this lot is €15,000. For more information, visit here.

28 November 2013

Happy Thanksgiving!

"Macy's Thanksgiving Day Parade" Elliott Erwitt (1988)

Happy Thanksgiving, everyone! I'm staying in the city this year and am looking forward to spending the next few days checking out some galleries, taking some long walks, and enjoying everything pumpkin. I hope wherever you are, you have a wonderful holiday and fun with family and friends.

18 November 2013

Fall Roundup



The fall so far has been filled with events of all sorts and as a result I haven’t had time to post about everything. So I thought I’d share some brief recaps of a few of them here.

A modern actress who I love is Juliette Binoche. She always imbues a rawness in her performances that results in more realistic characters. Her latest film is Bruno Dumont's Camille Claudel 1915, which tells the story of the first year of the great artist’s incarceration by her family in a mental institution where she stayed, even though doctors encouraged the family to bring her home, for the last 30 years of her life. Filmed on site at a real institution with actual patients, it was emotionally draining to watch. Yet Binoche was mesmerizing as usual and her portrayal stayed with me long after I left the cinema.

To celebrate the release of the Criterion Collection’s new Rossellini/Bergman box set, Casa Italiana Zerilli-Marimò at NYU hosted a special screening of the one of the films—Journey to Italy (1954)—along with a panel discussion with some scholars, and Isabella and Ingrid Rossellini. Isabella had to cancel at the last moment (she broke her hand that morning) but Ingrid was there, telling stories about when they were children including the time their father, a big animal lover, brought home a kangaroo. The film about a troubled marriage was strong and gave an up close look at life in post-war Italy.

One of the best concerts I’ve seen in a long time was a performance by Mariza, the Portuguese Fado singer, at Carnegie Hall last weekend. She was, in a word, amazing. For two hours she poured her heart out, singing traditional Fado songs as well as some new ones. Dressed in a long gown, the striking 6-foot tall singer spoke with the audience between songs, explaining the origin of the music and thanking her talented band. The audience was enthralled and was up on their feet by the end, cheering her on. She announced that she’s coming back to New York next year, and I for one can’t wait.

Under the Table: A Dorothy Parker Cocktail Guide is a new book by Kevin C. Fitzpatrick, the president of the Dorothy Parker Society, which tells the story of Mrs. Parker and her circle and the cocktails that they enjoyed. The book is great fun, and I'm looking forward to trying out some of the recipes. At the launch party for the release at the Algonquin Hotel, my friend and I sampled one of the drinks from the book, an Algonquin Cocktail (rye, vermouth, and pineapple juice), before turning to my classic go-to, the Manhattan. I think Mrs. Parker would approve.

And speaking of books, Elliott Erwitt’s Kolor is the latest from the incomparable photographer, gathering together his colour work for the first time. The International Center for Photography (ICP) held a book signing for the new publication, and I was thrilled to get to meet a man whose work I so admire. I wanted to tell him how much I loved his work and how one of the most popular posts on this blog was the one about his ICP exhibit from a few years ago but I thought that would be silly and just thanked him instead while I grinned like an idiot.

02 January 2013

Marilyn's Resolutions



My list of new year’s resolutions is quite long but I hope to stick to them (well, at least half). Wonder what other people choose for their resolutions? Here is a list that Marilyn Monroe wrote out in her address book in 1955. She was studying with the Actor’s Studio at the time and her resolutions show that she wanted to make the most of it. The last one, “enjoy myself when I can—I'll be miserable enough as it is,” seems so sad in retrospect.

Must make effort to do
Must have the dicipline to do the following—

z – go to class—my own always—without fail

x – go as often as possible to observe Strassberg's other private classes

g – never miss actor's studio sessions

v – work whenever possible – on class assignments—and always keep working on the acting exercises

u – start attending Clurman lectures—also Lee Strassberg's directors lectures at theater wing – enquire about both

l – keep looking around me—only much more so—observing—but not only myself but others and everything – take things (it) for what they (it's) are worth

y – must make strong effort to work on current problems and phobias that out of my past has arisen—making much much much more more more more more effort in my analisis. And be there always on time – no excuses for being ever late.

w – if possible—take at least one class at university—in literature—

o – follow RCA thing through

p – try to find someone to take dancing from—body work (creative)

t – take care of my instrument—personally & bodily (exercise)

try to enjoy myself when I can—I'll be miserable enough as it is.

From Fragments: Poems, Intimate Notes, Letters by Marilyn Monroe.

21 August 2011

Personal Best


"Paris, France" Elliott Erwitt (1989)

I just spent an enjoyable afternoon at the ICP (International Center of Photography) marvelling at the photos in the "Elliott Erwitt: Personal Best" exhibit. A photographer and filmmaker, Erwitt has captured some of the most iconic people of the 20th Century—Fidel Castro, Richard Nixon, Jacqueline Kennedy Onassis, Marilyn Monroe—while always keeping an eye out for the humorous and absurd. Many of the images I had seen before but seeing them blown up on the walls emphasized the details like the grief written on Jackie's face.

Erwitt, who is still taking photos at the age of 83, normally shoots in black and white, always film, and never manipulates his images. Pretty good rules. Here are just a few of the images from the exhibit.

"Empire State Building, New York City" Elliott Erwitt (1955)

"Provence, France" Elliott Erwitt (1955)

"Jacqueline Kennedy at John F. Kennedy's Funeral, Arlington, Virginia" Elliott Erwitt (1963)

"Dog Legs, New York City" Elliott Erwitt (1974)

The exhibit closes August 28th so if you get a chance to go this week please check it out.

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