If you've visited this site recently, you'll have noticed that I haven't posted anything for a very long time. There are a variety of reasons, one of which is that I got so busy with work and other projects that I didn't have the time anymore to devote to writing posts. But I did want to alert you to one project that I'm very excited to announce: a new feature documentary on one of my favourite couples, silent screen stars Olive Thomas and Jack Pickford. So please visit us at our website and follow us on Instagram and Twitter for updates. And thank you for being such loyal readers.
30 January 2019
An Announcement
If you've visited this site recently, you'll have noticed that I haven't posted anything for a very long time. There are a variety of reasons, one of which is that I got so busy with work and other projects that I didn't have the time anymore to devote to writing posts. But I did want to alert you to one project that I'm very excited to announce: a new feature documentary on one of my favourite couples, silent screen stars Olive Thomas and Jack Pickford. So please visit us at our website and follow us on Instagram and Twitter for updates. And thank you for being such loyal readers.
06 August 2016
Olive Thomas Restored
For almost 100 years, Olive Thomas' final resting place—a mausoleum at Woodlawn Cemetery in the Bronx—has sat untouched while nature has taken its course. Until now.
Last year, under the guidance of resident craftsman Rob Cappiello, a group of interns participated in a stone conservation program established in connection with the World Monuments Fund and the International Masonry Institute, working on the restoration of a series of small mausoleums at Woodlawn. One of those was Olive's. Yesterday, I went up to Woodlawn and met with Cappiello and Woodlawn's membership manager, Anastasija Ocheretina, to talk about the work that was done and to see the results in person. As you can tell from the photos below, they made a world of difference.
The photo on the left is from a few years ago. The photo on the right was taken yesterday. Photos by Michele.
Before and after photos. Photos by Michele.
The mausoleum was picked for the project because of the type of dirt on it, the configuration of the mortar joints, and the stone that was used for its construction. "It's a very hard stone so you can’t do much damage," said Cappiello "It was a simple monument for them [the interns] to work on. Now they’re getting more fancy, working on curved cornices and such."
Working on the mausoleum had an effect on at least one of the workers. "We worked on so many buildings in the city, like the Waldorf Astoria, that all have a story that we never really get to know. We just go there and do the work," said Cappiello "Over here, when Susan [Susan Olsen, the director of Historical Services at Woodlawn] started telling me about Olive, I went online and couldn’t stop reading about her. She got me; I’m a fan."
Even with all of Cappiello and his crew's hard work, there's still more that needs to be done like the door, which needs to be refinished and protected and the glass
cleaned. Some plans are being hatched to see the second phase of restoration completed. To keep up-to-date on the progress, follow me on Twitter at @madcapheiress25 where I will tweet any new developments and Instagram at @madcapheiress25 for photos.
30 April 2016
Where Did She Go?
Wondering where I've gone?
I'm still here, busier than ever before (or at least that's how it feels). I haven't forgotten this blog or you dear readers but my schedule is not what it once was. Unfortunately, until I can find some time to sit down and write the posts here will be few. So until I can share more tales with you, please follow me on Instagram or Twitter to see what I'm up to.
17 March 2016
Happy St. Patrick's Day
Glencar Lake. Photo from here.
I Am of Ireland
'I AM of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
'Come out of charity,
Come dance with me in Ireland.'
One man, one man alone
In that outlandish gear,
One solitary man
Of all that rambled there
Had turned his stately head.
'That is a long way off,
And time runs on,' he said,
'And the night grows rough.'
'I am of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
“Come out of charity
And dance with me in Ireland.'
'The fiddlers are all thumbs,
Or the fiddle-string accursed,
The drums and the kettledrums
And the trumpets all are burst,
And the trombone,' cried he,
'The trumpet and trombone,'
And cocked a malicious eye,
'But time runs on, runs on.'
'I am of Ireland,
And the Holy Land of Ireland,
And time runs on,’ cried she.
'Come out of charity
And dance with me in Ireland.'
10 March 2016
IT Girls, Flappers, Jazz Babies, and Vamps
Clara Bow in It (1927)
For more information about the series, visit Film Forum.
09 March 2016
The Scream
"The Scream" Edvard Munch (1895)
“Munch and Expressionism,” the latest exhibit at the Neue
Galerie, explores how the Norwegian Evard Munch influenced his German and Austrian
contemporaries and German Expressionism. Included in the show are more than 80
paintings and works on paper by Munch and other artists like Max Beckmann,
Ernst Ludwig Kirchner, and Egon Schiele. This mix allows viewers to
see shared themes of mortality, alienation, and anxiety and for Munch’s work to stand out. It's also refreshing to
see a woman artist, Gabriele Munter, included; her painting “The Blue Gable”
(1911) was one of my favourites in the show.
An exhibit of Munch wouldn’t be complete without his most famous
work, The Scream, an iconic symbol of
modern angst. Here the painting gets its own room, dark and cozy. Munch created
four versions of “The Scream” yet the one on display, the 1895 version done in
pastels, may be the most interesting. It’s the only one to have remained out of
a museum and in private hands. It’s also the one that includes a poem painted
on the frame by the artist that describes the origin of the work:
“I was walking along the road with two Friends / the Sun was setting –
The Sky turned a bloody red / And I felt a whiff of Melancholy – I stood /
Still, deathly tired – over the blue-black / Fjord and City hung Blood and
Tongues of Fire / My Friends walked on – I remained behind / – shivering with
Anxiety – I felt the great Scream in Nature – EM.”
“The Scream” has been
reproduced so many times that it’s become kitsch yet it’s striking to see in
person, brighter than any postcard or poster. The strong strokes of colour have
a feeling of urgency, as if the artist dashed off the work in a hurry. The oppressive
orange sky, the seemingly endless bridge above the swirling blue water below, and the alien-like features of the
figure in the forefront grab your attention, leaving you with a sense of unease.
03 March 2016
Harlow
Today is Jean Harlow's birthday. Born in Kansas City, Missouri on March 3, 1911, she was the original blonde bombshell. Gorgeous, smart, and funny, she starred in a series of wonderful films in the 1930s before dying all too soon at the age of 26. I've written before about my love for Harlow who is one of my favourite stars from the Golden Age of Hollywood. The scene of her sitting in bed eating chocolates and reading magazines in Dinner at Eight is a situation I am always aspiring to be in, and I only wish I could deliver a putdown like she could ("Ya big ape"). So Happy Birthday, Harlow!
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